Not complete… will be added over time

2023

Der Soundride als Format der Ermächtigung (2023). In: Soundrides Reader, Conny Zenk (Hg.), Wien.

>> will be published soon in English

2022

The Sonic Experience of Experimental Electronics (2022). In: Keep it Simple, Make it Fast! An approach to underground music scenes (vol. 5). P. Guerra, S. Sousa (eds.), Universidade do Porto – Faculdade de Letras, Porto, pp. 181-190: https://ler.letras.up.pt/uploads/ficheiros/19275.pdf

2020

The Berlin Techno Myth and Issues of Diversity. In: The New Age of Electronic Dance Music and Club Culture. Anita Jóri, Martin Lücke (Hg.), Springer, Wiesbaden 2020. S. 29-53.

2019

Transmedia Festivals and the Accelerated Cultural Sector. In: IASPM Journal Vol 9, No 1 (2019) Pop Music Festivals and (Cultural) Policies. Beate Flath, Adam Behr and Martin Cloonan (Ed.), open access online journal, p.73-88.

Researching Popular Music Through Transmedia Festivals. In: Medić, Ivana & Dumnić, Marija (Hg.) Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music Conference 2017, Volume 2. Wiesbaden: Springer 2019, p.251-257.

2017

With José Galvez: “Popular Music and Power. Sonic Materiality between Cultural Studies and Music Analyses”, Conference Review (2017). In: IASPM Journal, Vol 7, No 1, p.142-146.

2011

NSK State as Heterotopia and Popular Culture, in: Alexei Monroe (Hg.), State of Emergence – A Documentary of the First NSK Citizens’ Congress, London: Plöttner Verlag, 35–44 (PDF)