Not complete… will be added over time
2025
Transmedia Fesivals. Audiosoziale Gemeinschaften zwischen künstlerischem Experiment und Ökonomisierung, Monografie. Wien, Böhlau Verlag.
An english translation will be published via Bloomsbury soonish in the future…
2024
Vielleicht unsexy, aber notwendig: Experimente mit Strukturen. In: 20 Jahre plattform mobile kulturinitiativen, Verein p.m.k (Hg.), Innsbruck 2024, S.91-95.
2023
Der Soundride als Format der Ermächtigung (2023). In: Soundrides Reader, Conny Zenk (Hg.), Wien.
>> will be published soon in English
2022
The Sonic Experience of Experimental Electronics (2022). In: Keep it Simple, Make it Fast! An approach to underground music scenes (vol. 5). P. Guerra, S. Sousa (eds.), Universidade do Porto – Faculdade de Letras, Porto, pp. 181-190: https://ler.letras.up.pt/uploads/ficheiros/19275.pdf
2020
The Berlin Techno Myth and Issues of Diversity. In: The New Age of Electronic Dance Music and Club Culture. Anita Jóri, Martin Lücke (Hg.), Springer, Wiesbaden 2020. S. 29-53.
2019
Transmedia Festivals and the Accelerated Cultural Sector. In: IASPM Journal Vol 9, No 1 (2019) Pop Music Festivals and (Cultural) Policies. Beate Flath, Adam Behr and Martin Cloonan (Ed.), open access online journal, p.73-88.
Researching Popular Music Through Transmedia Festivals. In: Medić, Ivana & Dumnić, Marija (Hg.) Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music Conference 2017, Volume 2. Wiesbaden: Springer 2019, p.251-257.
2017
With José Galvez: “Popular Music and Power. Sonic Materiality between Cultural Studies and Music Analyses”, Conference Review (2017). In: IASPM Journal, Vol 7, No 1, p.142-146.
2011
NSK State as Heterotopia and Popular Culture, in: Alexei Monroe (Hg.), State of Emergence – A Documentary of the First NSK Citizens’ Congress, London: Plöttner Verlag, 35–44 (PDF)
