In October 2016 the German Speaking Branch of the International Association for the Study of Popular Music (IASPM – D-A-CH) met in Graz – with 70 researchers of popular music attending, who discussed different aspects of popular music and transgression. In November 2018 the conference proceedings were published via the BIS Verlag. The publication is Read the full article… »»»»
academic
Presentation @ POP-POWER-POSITIONS: 3rd IASPM DACH-Conference @ Bern (CH) 18th-20th October 2018
ANNUAL CONFERENCE OF THE BRANCH OF THE INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR MUSIC (IASPM D-A-CH) University of Bern & Bern University of the Arts Partner: Norient – Network for Local and Global Sounds and Media We will do a panel at the conference: Club Cultures between difference, representation and cosmopolitism (Club Cultures zwischen Read the full article… »»»»
Documentary The Cleaners, available on DVD by 08/24/2018
“A look at the shadowy underworld of the Internet where questionable content is removed. When you post something on the web, can you be sure it stays there? Enter a hidden shadow industry of digital cleaning where the Internet rids itself of what it doesn’t like – violence, pornography and – political content. Who is Read the full article… »»»»
Festival as Lab – Cultural Practices and Potentials of Transmedia Festivals
This article was written in summer 2015 for the ECAS network publication “Networking Tomorrow’s Art for an Unknown Future” – documentation European Commission Culture Programme. It hasn’t been published as of yet. I am providing here up front the German original version as the publication will be in english translation. English Abstract: I sum up Read the full article… »»»»
Simon Reynolds Discussion @ HU Berlin 3.12. & Book Launch @ HAU 4.12.2017
Simon Reynolds is visisting Berlin to present his recent book and discuss writing about popular music at the Humboldt University Berlin. Paneldiscussion „Writing as Performing Pop“ with Simon Reynolds, Sonja Eismann and Bodo Mrozek Medientheater of HU Berlin, Georgenstr. 47, 10117 Berlin// 19h// Free entrance Glam. Glitter Rock and Art Pop in the 1970s and Read the full article… »»»»
Lecture @ CYNETART, Dresden 18.11.2017
This is only available in German, please switch to that section by selecting it above on the right. More Infos: www.cynetart.org/2017/vortrag About cynetart here: www.cynetart.org »»»»
Bookrelease: The Death of Graffiti, Possible Books
For everyone who seeks to find out about graffiti practices and its entanglements with the social, the economic, the arts and society at large. 33 Activists, Scientists and Practitioners discuss, analyse or reflect on the 50 year history of graffiti as a social and asthetical phenomenon of the present. The Death of Graffiti is finally Read the full article… »»»»
Conference: TAG – name writing in public space 14.-15.09.2017, Berlin
A conference about tagging, in history and today Freie Universität Berlin, GSNAS/JFKI Lansstrasse 7-9, Berlin Written signatures, or tags, are the central element of graffiti culture, and the most widely practiced form of public art. Yet tagging has rarely been the subject of serious examination. The Tag Conference is a first attempt to conceptually frame Read the full article… »»»»
Bookrelease: Compared to What. Pop zwischen Normativität und Subversion, 30.5.2017 Depot Wien
Dienstag, 30. Mai 2017, 19.00 Pop zwischen Normativität und Subversion Welche Rolle spielt das Subversive im Pop heute? Einerseits stellen Nische, Differenz und Abweichung zentrale Normen des Kapitalismus der Gegenwart dar, andererseits macht die Hegemonie kalkulierter Einzelirritationen das Antitotalitäre der Subversion attraktiv. Dass Widerstands-Rhetoriken gerade auch wieder unter Rechten Konjunktur haben, verkompliziert die Dialektik von Read the full article… »»»»
Prolls mit Klasse
(Deutsch) WiseUp folgt diesmal der Figur des Prolls. Anlässlich des 50jährigen Jubiläums der Centre for Contemporary Cultural Studies (CCCS) stellte Moritz Ege seine Dissertation “Ein Proll mit Klasse. Mode, Popkultur und soziale Ungleichheiten unter jungen Berliner Männern in Berlin” an der Universität Innsbruck vor. Das CCCS war ein kleines, aber bis heute in der Kulturwissenschaft einflussreiches Institut an der University of Birmingham, die in den 70er und 80er Jahren grundlegende interdisziplinäre Forschungen zu Subkultur und Popkultur vorlegten. Diese untersuchten kulturelle Erscheinungen unter Berücksichtigung von sozialstrukturellen Merkmalen wie class, race, gender. Moritz Ege befasst sich in seinem Vortrag und seiner ethnografischen Studie mit der Aktualität der CCCS Studien. Berliner Prolls mit Klasse hören auch deutschsprachigen HipHop, der als illustrativer Soundtrack, den Vortrag begleitet. Eine Einladung zur Suche nach den vielfältigen Facetten des Prolls und dem Proll in uns. »»»»
